LPCD is the latest and most advanced technology researched and developed by Mr Aik Yew-Goh, the founder of Hugo Productions.? Mr Aik is a renowned recording producer and musician who spends 35 years in musical experimentations and 20 years in professional music production.? LPCD is developed based on a unique set of digital processing technology which enables listeners to experience the analogue sound of the vinyl LP record from an ordinary CD player.|
Mr Aik has been researching this technique for a long time.? He has produced over 300 music records in the last 20 years.? Every time when he compared these recordings with the master tapes, he would find that there was a difference in the audio quality, but he was unable to work out a solution due to his busy schedule in music productions.? Until 2003, after producing two LPs, Mr Aik revisited this subject and did a detailed analysis on the sonic differences between CD, XRCD, SACD, etc., to pinpoint the reason why the CD and LP differ much in their tonal quality.
The general consensus among most audiophiles being that when comparing with LP, CD (including normal CD, 24K CD, XRCD, SACD and DVD-Audio) would sound tight, tensed and compressed (especially when playing at loud sound level, one would find it difficult to maintain concentration in appreciating the music and the sound system).? Besides, the lack of extension at the low and high sonic frequencies has resulted in a harsher treble, inelastic bass, poor dynamics, etc.? Being an LP audiophile, Mr Aik is well aware of the problem.? He reckons that the only way to seek out the answer is to listen to his own recordings extensively and repeatedly, before he is entitled to voice his views.
Presently, the manufacturing of CD from the master tape requires changing the digital audio formats 5 to 6 times in the following processes: Master Tape - Master CDR - Glass Master - Metal Stamper - Pressing - CD.? The last two processes are especially important as they could make or break the sound quality.? It is common knowledge to audiophiles that whether it is LP or CD, the first pressing always sounds the best.? A simple experiment of duplicating a CD 5 or 6 times on a home computer will prove that the last pressing will sound much inferior to the original CD.
How then to ensure that audiophiles who have been faithfully supporting the HUGO Label can enjoy the highest level of sonic fidelity?? Having identified the digital distortion problem of CD, Mr Aik has focused his research of the LPCD in the following two parameters: |